Origins and Characteristics
Chinese music can be traced back as far as the third millennium B.C. Manuscripts and instruments from the early periods of its history are not extant, however, because in 212 B.C., Shih Huang-ti of the Ch'in dynasty caused all the books and instruments to be destroyed and the practice of music to be stopped. |
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Tone and the Instruments
In Chinese music, the single tone is of greater significance than melody; the tone is an important attribute of the substance that produces it. Hence musical instruments are separated into eight classes according to the materials from which they are made—gourd (sheng); bamboo (panpipes); wood (chu, a trough-shaped percussion instrument); silk (various types of zither, with silk strings); clay (globular flute); metal (bell); stone (sonorous stone); and skin (drum). |
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The History of Guqin
Guqin is also called the seven-stringed Qin. The body is a long and narrow sound box made of wood. Generally speaking, it is 130cm long, 20cm wide and 5cm thick. The surface is generally made of paulownia wood or China fir, and has seven strings stretched along it. On the edges are 13 inlaid jade markers. Catalpa wood is used for the base, and there are two holes, one big and one small (called the "phoenix pool" and "dragon pond", respectively) to emit the sound. |
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History of Chinese Music
This is the body of vocal and instrumental music composed and played by the Chinese people. For several thousand years Chinese culture was dominated by the teachings of the philosopher Confucius, who conceived of music in the highest sense as a means of calming the passions and of dispelling unrest and lust, rather than as a form of amusement.
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Dizi
Dizi, a traditional Chinese musical instrument, became popular as early as the Warring States Period (475-221BC). It first appeared in Hemudu Clan (in present-day Hubei Province) 7,000 years ago.
This transverse bamboo flute has a blowing hole, a stop hole and six finger holes. The two holes furthest from the player and fundamental tone holes and next to them are two auxiliary tone holes. Its range is two and a half octaves. During the blossoming of the art of opera in the late Ming (1368-1644) and early Qing (1644-1911) Dynasties, Dizi was adopted as an accompanying instrument for various kinds of stage dramas.
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